瞧！我與世界格格不入特定展

Abstract

時代趨勢、地域人文與科技資訊，框限視域範圍；創作者、策展人、展覽與觀眾，架構視域條件；意念、性格與情慾，在視域奔竄；意識流、能識者與所識者，於同一視域維度作用，如此複雜的眾元件都到位方能產出幾近正確意義的作品。若以數學邏輯試算，或可有百分之一的機會能出現一件具永恆真義的藝術品。筆者以創作人身分，藉一場與世界格格不入的畫展，積極控制變因催化試驗結果，企圖取得具足能量的結晶體並試將其複雜之過程完整紀錄，編輯成文。航程漫漫，畫家將日常之風花雪雨與星辰日月塗繪成詩；用藝術創作療癒心靈缺口；用展覽窺視本真身影，依恃引航人的號角聲，終在極美之境靠岸。如海德格：「人•詩意地棲居」；那畫，便是靈魂的安息場！Trends of the era, regional culture, and technological information confine the perspective of horizon. Creators, curators, exhibitions, and audiences establish and construct conditions for horizon. Ideas, personalities, and desires roam within the horizon. Streams of consciousness, “noesis”, and “noema” operate within the same dimension of horizon. Only when all complex elements are in place can produce a work closely carrying the accurate meaning. If to quantify with mathematical logic, the chance of producing a piece of art with eternal truth hidden behind might be one in a hundred. ·As an artist, the author, through an unconventional art exhibition, actively controls variables to catalyze experimental results, attempting to obtain a fully documented complicated process and edit it into a complete narrative.The journey is long. The painter turns into poetry every day’s weather changes and rises and sets of the sun, moon, and stars. Healing the wounds of the soul with creativity. Peeking into the artist’s true self through the exhibitions. Relying on the guide of mentor to eventually arrive in the realm of extreme beauty. As advocated by Heidegger on poetically man dwells, that painting is the resting place of the soul!