玩．經典 - 賴宜吾水墨創作論述

Abstract

筆者熱愛中國文化，生活中常以歷史文化爲伴，讀歷史、習書畫、彈古琴、賞古玩，頗覺像活在現代的古人，生活中混合了古典元素、科技文明與通俗文化，偶有時空交錯的感覺，亦有古今穿越的聯想，在時間幻覺之下，悠游於此雑錯融合的文化之中。筆者崇尚道家的樸素思想，奉行簡樸生活，熱愛庶民小吃，喜愛通俗的歷史文學，同時是個重度網路使用者。本創作研究「玩．經典」將生活中的古今元素拼凑混搭，以玩耍的心態及喜感輕鬆的情調來敘說、表現古文化，很單純地説著簡單的小故事，作品像是一篇一篇的散文，内涵是樸素的，形式是現代的，技法是簡單的，材料是普遍易得的，方方面面皆有道家樸素思想的影響。本創作以三件青銅器（毛公鼎、散氏盤、爵）與書法家懷素爲題，將古典元素與通俗文化拼凑混搭，做趣味、穿越的聯想：用青銅器吃平民食物、想像懷素也上網，用後現代風格的水墨來表現，通俗淺白的敘事風格，粗獷樸素的質感，完成二個後現代面貌的水墨系列。本創作研究分爲五章，第一章緒論以古典與通俗事物的異質混搭為題，説明創作動機、目的、範圍及方法。第二章探討通俗事物介入藝術，探討樸素思想與通俗精神之間的連結，並析論崇尚樸拙的美學思想。第三章舉例與筆者思想相近的當代藝術家，探討他們對通俗事物的理念及表現方式，第四章為個人創作理念的説明與作品解析，第五章總結此研究心得及未來展望。The author loves Chinese culture, and is often accompanied by history and culture in life. Reading history, studying calligraphy and painting, playing the guqin, and enjoying antiques, I feel quite like an ancient person living in modern times. His life is a mixture of classical elements, technological civilization and popular culture. The feeling of interlacing also has the association of crossing the ancient and the modern. Under the illusion of time, you can wander freely in this mixed culture. The author advocates the simple thinking of Taoism, pursues a simple life, loves common people's snacks, loves popular historical literature, and is a heavy Internet user. This creative research "playing classics" combines ancient and modern elements in life, narrates and expresses ancient culture with a playful mentality and a joyful and relaxed mood, and simply tells simple stories. The prose of this chapter is simple in connotation, modern in form, simple in technique, and widely available in materials, all of which are influenced by Daoist simplicity. This creation is based on threebronze wares (Mao Gongding, Sanshi Pan, Jue) and calligrapher Huai Su, combining classical elements with popular culture, creating interesting and time-travel associations: eating common people's food with bronze utensils, imagining Huai Su also surfing the Internet , using post-modern style ink to express, with a simple and plain narrative style, and a rough and simple texture to complete two post-modern ink series. This creative research is divided into five chapters. The first chapter, the introduction, takes the heterogeneous mix of classical and popular things as the theme, explaining the creative motivation, purpose, scope and method. The second chapter discusses the intervention of popular things in art, explores the connection between simple thinking and popular spirit, and analyzes the aesthetic thought that advocates simplicity. The third chapter gives examples of contemporary artists with similar ideas to the author, and discusses their ideas and expressions of popular things. The fourth chapter is an explanation of their personal creative ideas and works analysis.