景象．意象．心象–蔡瓊書繪畫創作研究

Abstract

從喜歡自然、師法自然到描繪自然進而走入自己的繪畫世界，藉由觀察、戶外寫生、照相寫實，把印象主義在光影、色彩的的處理與掌握，努力呈現在自己的作品中。因緣際會參觀趙無極畫展，喜歡他抒情山水抽象畫的風格，於是從早期景象系列逐漸走上意象、心象的創作系列，因此造就「景象．意象．心象」之研究主題。筆者在創作歷程的轉折，藉由藝術史文獻資料探討，汲取相關知識例證，作為本論文的架構論述。順著藝術史的時間脈絡，本論文首先著墨於印象主義對色彩、線條、明暗、結構..等的藝術形式加以分析，其次再針對抽象主義的形式問題，加以探討研究。此外超現實主義的心理分析、媒材技法的運用，抽象表現主義，在創作過程的心理狀態、創作方式是也是本論文研究之重點。上述文獻資料除了引述藝術史外，尚包括美學、心理學、哲學等理論觀點，用以建立自己的創作理論基礎。第三章從藝術史流派作品中，根據其創作內容形式及媒材技法舉例佐證，除了以再現自然、環境議題為主，媒材技法多元變化，把畫室變實驗室，形塑自己的獨特風格。第四章根據自己作品內容，從發想、創作過程、創作理念，逐一加以分析解說。最後，透過本研究，除了對自己的創作論述作一回顧與反思，在主題研究探討外加深對自己的了解，並期許自我對未來創作的展望。還有在環境議題上繼續發展並盼對環境現況能有實質的助益。From liking nature, learning from nature to depicting nature, and then stepping into the world of painting, through observation, outdoor sketching, photographic realism, impressionism in the treatment and mastery of light, shadow and color, and strive to present in my works. Karma visits Zao Wou-ki's painting exhibition and likes his lyrical style of abstract landscape paintings, so I gradually moved from the early scene series to the creation series of imagery and mental imagery, thus creating the research topic of "Scene, Imagery, Mental Image". At the turning point of the creative process, the author uses art history literature to explore relevant knowledge and examples as the framework of this thesis. Following the time course of art history, this thesis first focuses on the analysisof the art forms of impressionism, such as color, line, light and shade, structure, etc., and then discusses and studies the form of abstraction. In addition, the psychological analysis of surrealism, the use of media techniques, abstract expressionism, the psychological state of the creative process, and the creative methods are also the focus of this thesis.In addition to quoting art history, the above-mentioned documents also include aesthetics, psychology, philosophy and other theoretical viewpoints, which are used to establish my own creative theoretical foundation. The third chapter is based on the works of art history genres, based on examples of creative content and media techniques. In addition to reproducing nature and environmental issues, the media techniques have diversified changes, turning the studio into a laboratory and shaping its own unique style. . The fourth chapter analyzes and explains one by one according to the content of my own work, from thinking, creative process, and creative concept.Finally, through this research, in addition to reviewing and reflecting on my own creation discourse, I also deepen understanding of myself in the theme research and discussion, and look forward to my own prospects for future creation. In addition, continue to develop on environmental issues and hope to make substantial contributions to the environment.