異景．心戲-張亞蓁創作論述與實踐

Abstract

本篇創作論文異景．心戲，紀錄著2020─2024年的創作研究，筆者的個性比較容易沉浸在自我幻想的世界裡玩耍，覺得所處的生活環境都像是一個充滿寓意的場景，藉此筆者在繪畫創作上，從景觀的觀察塑造出心理的寄寓空間，與個人內心小劇場的投射。本篇論文共分為五個章節：第一章緒論。講述研究動機與目的，研究方法與內容，並對於在本篇論文中所使用的關鍵字進行相關概念的釋義。第二章學理脈絡的研究，探討寓意的表現，異質性空間的景觀觀察，從現實景觀銜接筆者在繪畫創作上的空間想像，到第三小節逐步探討一些古典水墨畫景物空間的再現手法，運用到筆者作品的表現形式當中。進入第三章創作理念與表現，發展出的系列作品有「宅山水系列」與「人造樂園系列」，談論創作理念與創作方法、形式的梳理，並紀錄創作的過程。第四章作品分析，分別從兩個系列的創作成果敘述個別作品的綜合分析。第五章結論，分成兩個小節，統整這個階段的研究結論，個展的展覽記錄，和未來創作的後續發展，進行整體的回顧與省思。

This creative paper is named" Inner World and Displacement of Landscape" . Records the creative research from 2020 to 2024. My work often depicts man-made landscapes. I believe that in these landscapes, there is a person's ideal world. I think gardens are ideal man-made places for people. I studied the form and space of Chinese garden paintings, painted my own living environment and Taiwanese garden places, and added imagination to the paintings. This is a fantasy world projected from reality. Create a fun amusement park and have fun in it.This article is divided into five chapters: Chapter 1 "Introduction". Research motivation and purpose, research methods and content. And explain the related concepts of keywords. Chapter 2 "Academic Research". Explore allegorical expressions. And features of heterotopic landscapes. The imagination of creating paintings based on heterotopic landscapes. The third section gradually explores some techniques for reproducing the space of classical ink painting. Use this kind of painting space to reproduce the form in works. Enter Chapter 3"Creative Concept and Expression". The two series of works developed will be sorted out. Start by exploring creative ideas, creative methods and forms, and then record the creative process. Chapter 4 "Analysis of Works" provides individual analysis of individual works. Chapter Five "Conclusion" provides a review and reflection on the overall creative research. Record the conclusions of this paper and the development of future creations.