「船說」流浪者之歌–水彩創作研究

Abstract

海洋佔據地球百分之七十的面積，船舶是最常與其接觸的人造物之一，更有著無數與船舶相關的傳說與故事。船在歷史上也具有重大的意義，使人類得以跨越這不可逾越的海洋屏障，探勘海洋另一端的未知，而其有目標的航行與無目的的漂泊特性更與筆者的人生體悟不謀而合。原非美術本科系的筆者，感悟人生就像一場永不回頭的流浪，而每個人都是當中的流浪者，流浪中經歷的各種波折，如同人生當中陰晴悲喜的各階段。也在這般流浪歷程中，逐漸追尋自我與成長。筆者所欲呈現的另一重點則是這些歷程中所留下的痕跡，筆者認為殘缺相較於完美更具有意義，殘缺使人得以繼續追尋，因殘缺而具有不完美的美感，也象徵著每個人的體悟與智慧。創作的形式筆者使用寫實具像的形式進行創作，結合流浪意識使用象徵、聯想、移情等表現手法來進行意念上的傳遞。藝術家所創作的作品，因為其存乎於自身的世界，畫面所呈現表達自身覺得理所當然，但他人未必能由此得到創作者所想傳遞的訊息。藝術作品往往存在著其不可言說性，藝術家需運用個人繪畫技能與審美，跨越理性思維的局限性進入到主觀感性的內心世界，將自身的核心精神傳遞於其中，感動自身才有可能觸動觀者的心。本論文架構分為五個章節，第一章為緒論，主要簡述筆者的創作動機、目的與研究方法。第二章為對於船舶在文學、歷史、神話傳說與藝術當中的意象進行探討，並對流浪意識與殘缺之美進行闡述，再對於寫實形式的源流與表現手法的探究，作為研究的理論基礎。第三章闡述本創作研究的理念與內容、所使用的技法及其創作的過程進行實踐與說明。第四章為筆者此次研究中所創作的作品進行詮釋。最後第五章作為本研究論文的結論，總結全文。The ocean covers seventy percent of the Earth's surface, and ships are one of the most common man-made objects that come into contact with it, with countless legends and stories associated with them. Throughout history, ships have played a significant role in allowing humans to cross the seemingly insurmountable barrier of the ocean and explore the unknown on the other side. The purposeful navigation and aimless drifting of ships also resonate with the author's life experiences. As a writer who did not major in fine arts, the author perceives life as an endless journey, and everyone is a wanderer experiencing various ups and downs along the way, much like the different stages of joys and sorrows in life. Through such wandering, the author gradually seeks self-discovery and growth. Another key point the author wishes to convey is the traces left behind during these journeys. The author believes that imperfection is more meaningful than perfection, as it allows people to continue their pursuit, and the beauty of imperfection represents the individual's enlightenment and wisdom. The author creates using a realistic and concrete style, combining the consciousness of wandering with expressive techniques such as symbolism, association, and empathy to convey ideas. Artistic works created by artists exist within their own world, and the expressions presented in the image may seem natural to the artist, but others may not necessarily receive the message the artist intends to convey. Artistic works often have an indescribable quality, and artistsneed to use their personal painting skills and aesthetics to overcome the limitations of rational thinking and enter the subjective and emotional inner world, conveying their core spirit within, and it is only by moving themselves that they can touch the hearts of viewers.This thesis is structured into five chapters. Chapter 1, the introduction, provides a brief overview of the author's creative motivations, objectives, and research methods. Chapter 2 explores the imagery of ships in literature, history, mythology, and art, as well as the concepts of wandering consciousness and the beauty of imperfection, and investigates the sources and techniques of realistic forms as the theoretical basis for the research. Chapter 3 elucidates the concepts, content, techniques, and creative processes used in this research project. Chapter 4 interprets the author's artworks created in thisstudy. Finally, Chapter 5 serves as the conclusion of this research thesis, summarizing the entire paper.