私密的文字密碼：許宸家水墨創作論述

Abstract

本論文描述、紀錄了現代個體在面對群體之間的內心情緒與社會關係，並以此作為主要核心概念發想，作為藝術創作與實踐。筆者以自身成長經驗、感悟，體認到個體在面對環境所建立的自我保護機制，而在保護後渴望被認同與理解的內心情感。透過榮格心理學理論，探討在現代環境之下，個體面對超量的群體結構所發展出的人格面具與其陰影。以阿德勒的個體心理學，研究在此結構下個體所擁有的心理情感。藉由社群主義與馬斯洛理論，討論現代的個體與個體之間，彼此防範又彼此依賴的矛盾關係。本論文創作透過將文字轉換為文字密碼，並以空氣鳳梨形象描繪，將情緒、故事隱藏於其中。形成語言符號的表達，同時作為現代文人精神移情、寄情的呈現。將文字結構與作品畫面結合，使其不易辨識字形的同時，亦能感受似圖騰之紋樣，既隱藏又吸引觀者的目光，將東方文字作為符號展現，進行不同於傳統字畫合一的藝術表達。作品以平面與半立體複合媒材為創作表現，以堆積凸出肌理為情緒注入、消化的手法，以超出畫面的銅線與銅片，作為空間延伸、光影虛實，增加了文字密碼的複雜與變化，增添觀看性與觀者互動。筆者透過本文學理探討、研究，進而梳理自身創作系列與脈絡、自身情感，使作品呼應社會變化、現代思維觀點，於往後進行更深刻、廣闊的藝術創作。This thesis describes and records the inner emotions and social relations of modern individuals colute facing different groups of people in society, and takes this as the main core concept idea, for art creation and practice. Based on her own growth experience and perception, the author realizes the self-protection mechanism established by the individual in the sceial environment, and the inner emotion that is expected to be recognized and understood after protection. Through the theory of Jungian psychology, it explores the personality mask and its shadow developed by individuals confronting the excess group structure in the modern environment, and uses Adler's individual psychology to study the psychology of the individual under this structure. Emotions, and through communitarianism and Maslow's theory, the another exphones the contradictory relationship between modern individuals as well as the individuals guarding against each other and relying on each other. The creation of this article converts the text into a text code and depicts it in the image of an air pineapple, hiding emotions and stories in it, forming the expression of language symbols, and at the same time as a presentation of the spiritual empathy and affection of modern literati. Combining the structure of the text with the picture of the work makes it difficult to identify the shape of the characters, but also can feel the totem-like text, which not only hides but also attracts the viewer's attention. The oriental characters are displayed as symbols, and the artistic expression of the integration of different traditional calligraphy and painting is carried out. . The works are expressed in two-dimensional and semi-stereoscopic composite media, with the accumulation of prominent textures as the means of emotional injection and digestion, and the use of copper wires and copper pieces that go beyond the screen as space extension, light and shadow virtual and real, increasing the complexity and change of the text code. , to increase the viewing ability and the interaction with the audience. Through the discussion and research of this literary theory, the author further sorts out the series and context of his own creation and his own emotions, so that the works conform to social changes and modern thinking viewpoints, and will carry out more profound and broad artistic creation in the future.