建構多元文明-透過電腦圖像合成及後現代思維之水彩創作

dc.contributor李焜培zh_TW
dc.contributor.author林冠君zh_TW
dc.date.accessioned2020-12-10T06:31:58Z
dc.date.available2004-6-10
dc.date.available2020-12-10T06:31:58Z
dc.date.issued2004
dc.description.abstract1 藝術社會學家認為「藝術是社會現象的反映」,後現代從現代的「進步主義」 歷史思維跳脫,展現「由出世到入世」的社會文化關懷,藝術「原創性」被「挪 用」的手法質疑-傳統與既有圖像被重新使用。「拼湊」成了加工方法。回歸具 象的形式,隱藏著當代生活的「寓言」。而多元主義與多元文化思潮當道,加上 科技媒體發達衝擊,造成後現代藝術在主題、題材、形式、技法等,呈現複合的 領域及折衷、多樣的面貌。「多元」成為後現代藝術的必然。 本論文主題為「建構多元文明-透過電腦圖像合成及後現代思維之水彩創 作」。以水彩、電腦跨領域結合的創作模式-運用數位資料與技術來「挪用」古 今多元的「擬像」,協助水彩草圖構成及表現科技衝擊藝術與生活的現象。並以 純粹水彩的表現及藉作品的「寓言性」來表現個人內在想法。讚美人類文明的成 就及尊重社會多元文化,此外並省思新科技的利弊得失。文中試圖釐清後現代藝 術的思維,並以個人此階段水彩創作印證之,以下並就論文架構摘要如下: 第一章說明研究動機與目的、範圍、方法及主題名詞釋義。第二章釐清現代 與後現代特質與範圍,以文獻比較從歷史情境、藝術觀念、繪畫形式、內容等轉 變說明後現代多元的必然,並整理媒體與藝術互動現象,作為創作模式跨領域合 作的先例研究;第三章檢視水彩從傳統到創新-以形式、技法、美學等印證多元 化現象及返回傳統、返回文化的趨勢,並抽樣藝術家作品佐證之。第四章詳述個 人主題、形式、手法、內容等創作理念,及水彩、電腦結合創作歷程,並紀錄歸 納、省思自我藝術表現應兼備形式與內涵兩點。而以創作作品說明印證理論,傳 達個人社會文化心理層關懷。第五章回顧與前瞻,省思在創作自由中,更應秉真 誠的態度,「觀念」與「表現」並重,尋求個人未來水彩藝術創作的突破。zh_TW
dc.description.abstract2 Sociologists of arts think that arts can reflect social phenomena.Postmoderns have jumped over the history thought of modern progressivism,and through their creations displaying social and cultural concerns which are “from privacy to social life”.In postmodern,the originality of art has been questioned by “appropriation” which traditional and existent images are used anew. “Pastiches” are artifactitious methods of artworks.The returns of concrete forms are hidden “allegories” of con- temporaneous life.Because the thougths of pluralism and multiculturalism are in power,and the advancements of technological media bring impacts, which of them causes the postmodern arts to show compound domains, the eclectic and multiple faces in subjects,materials,forms and techniques. “Multiplicity” is necessity in post- The title of this paper is“The Constructions of Multiple Civilizations-The Cre- ation in Watercolor is According to the Syntheses of the Computer Drawings and the Postmodern Thoughts”.This creative mode combined different domains with the computer and watercolor-I used the digital datas and skills to “appropriate” multiple “simulations” of the past and now, to help the designs of the watercolor paintings,and to express the phenomena that technologies have brougth many smashes in arts and lives.My inward ideas have been expressed by the“allegories”of the works in pure watercolor.I praise the achievements of human civilizations and respect for multi- cultures of the society,in addition to think the good and the bad of new technology. In my writings,I also tried to clear the thoughts of postmodern arts which were confirm- ed in my artworks of watercolor.Finally, I will be seeking new styles of my watercolor arts in the future,and to express the concerns of the society and the art.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierN2004000078
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22N2004000078%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115645
dc.language中文
dc.subject後現代zh_TW
dc.subject水彩zh_TW
dc.subject電腦圖成合成zh_TW
dc.subject多元zh_TW
dc.subjectPostModerrnen_US
dc.subjectWatercoloren_US
dc.subjectThe Syntheses of Computer drawingen_US
dc.subjectMultiplicity.en_US
dc.title建構多元文明-透過電腦圖像合成及後現代思維之水彩創作zh_TW

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