書寫空間語境-周季蓉書寫創作研究

Abstract

本論文研究是以西方藝術理念，透過東方美學及西方藝術思想去驗證創作導入書寫創作，過程如下：首章緒論提出如何讓書法藝術在固有傳統書法理念基礎下創新的表現形式，除了銓釋書法的點、線、面特有內蘊外，重新解構字形，運用筆墨特性與技法，章法革新，而重新思考傳統的書法創作風格及結合現代性多媒材的選擇，建構新的空間表現形式，在創作實驗過程中，體現書寫藝術有更多的無限可能性。第二章探討書寫空間意識，分析筆墨本質外也探討空間與時間的重疊外，以東西方美學出發，強調以西合中文化融合，透過多元文化的刺激，注入新的意念，分析東西方受書法融通影響藝術家表現形態。第三章創作理念以解構和再現與空間語境辯證，空間與時間的對話，應用生活媒材加上影像書寫，帶入新的視覺感受外，將西方黃金切割原則、拼貼理論、幾何抽象空間表現、色域運用法則、突破行列的空間限制、進入二維，三維以至於異質空間的結合呈現書寫作品現當代性。第四章創作作品解析，分為系列分析1、暢意流動系列 (拼貼再現)、2、解構造境系列 (書寫重構)、3、詩學空間系列 (古詩迴盪)從觀念藝術發想、理念傳達、造型色彩、構圖形式、綜合媒材去闡述說明。第五章 創作省思提出書法、如何接受吸社會能量出發，不僅在字內革新、在字外去開發開創，書寫核心價值，啟發更多觀念去表述前人所沒有發掘問題，借用生活觀察思考力加上方法論改造和創新，給未來書寫藝術創作者，重新思考對當代書法書寫有多樣可能性，創作屬於個人核心價值。筆者認為其創作藝術主張以新書寫空間在特定場域表現，挑戰傳統以來的各種二元對立性，從書寫中找到一個去中心化，非概念邏輯的觀念，將形式革新創作各種的可能，將傳統語言符號和意義作為一種徹底顛覆結果。創造屬於當代新的書寫空間。The process of this dissertation is as follows: the first chapter proposes how to make the art of calligraphy innovate the form of expression on the basis of the inherent traditional calligraphy concept, in addition to interpreting the unique connotation of calligraphy, lines, and surfaces, reconstructing the glyphs, using the characteristics and techniques of pen and ink, and innovating the chapters, and rethinking the traditional calligraphy creation style and the choice of modern multi-media, and constructing a new form of spatial expression. There are many more possibilities to embody the art of writing. The second chapter explores the spatial consciousness of writing, analyzes the essence of pen and ink, and explores the overlap of space and time, starting from Eastern and Western aesthetics, emphasizing the integration of Western and Chinese, injecting new ideas through the stimulation of multiculturalism, and analyzing the influence of calligraphy on the expression of artists in the East and the West. The creative concept of the third chapter is to deconstruct and reproduce the dialectic of spatial context, the dialogue between space and time, the application of life media and image writing, and bring in a new visual experience, in addition to the Western golden cutting principle, collage theory, geometric abstract space expression, the law of color gamut application, breaking through the spatial limitations of the ranks, entering the two-dimensional, three-dimensional and even heterogeneous space to present the modern contemporaneity of the written works. The fourth chapter is divided into a series of analysis: 1. Flowing Freely Series (Reproduction of Scrolls), 2) Deconstructing the Landscape Series (Writing Reorganization), 3. Poetic Space Series (Ancient Poetry Reverberation), which expounds and illustrates from the perspective of conceptual art, concept communication, modeling color, composition form, and comprehensive media. Chapter 5 Creative reflection proposes calligraphy, how to accept and absorb social energy, not only to innovate in the word, but also to develop and create outside the word, to write the core values, to inspire more concepts to express the problems that the predecessors have not explored, to borrow the ability to observe and think in life plus methodological transformation and innovation, to the future creators of writing art, to rethink the various possibilities of contemporary calligraphy, and the creation belongs to the core values of individuals. The author believes that his creative art advocates the expression of new writing space in a specific field, challenges the various dualities of tradition, finds a decentralized, non-conceptual logic concept from writing, and subverts the form to destroy all kinds of possibilities for creation. Traditional linguistic symbols and meanings are used as a radical subversive consequence. Create a new writing space that belongs to the contemporary era.