隱隱山語－羅志英水墨創作論述

Abstract

摘要

中國傳統的水墨畫，在世界的美術領域中自成體系；具有中國人自古以來 「人法地，地法天，天法道，道法自然」尊重天地，及崇尚自然之意境表達，並營造人與自然的連結是一種心靈相照、氣息相通、天人合一的關係與哲學思想。 神話，進入理性時代後就不再是古人記錄歷史的寓言，而是不斷創造新的想像世界，掙脫理性和邏輯的的束縛，讓人透過藝術發展形成新的結合方式，藉以傳達重要事物與訊息，並提醒或思索對生命的影響；同時對令人不安的世界帶來全新的見解。所以神話之所以真實是因為它可以迫使我們的心靈改革，帶來新的希望。 從藝術的起源發展深究藝術的脈絡，每一時代的藝術家們除了對藝術領域的執著，更皆有一份不斷創新的使命感。石濤語云：「筆墨當隨時代」，所以現代的水墨創作應依據現代人的觀念、思想、價值、哲學、科學、技法等去改造和重建水墨。筆者以中國的水墨元素與精神為基石，融合現代水墨的形式與技法，運用異材質媒介實驗，發展另類的皴法融合創作，以「似是而非」的象徵、借喻等手法，讓水墨創作上有新的表現形式與面相，並藉以討論現代急迫的生態生存問題。

關鍵字：神話、自然、現代水墨

Abstract

Chinese traditional ink painting, self-contained world in the field of art; With the Chinese people since ancient times , "personal law, the law of the heavens, France Road, Imitation of Nature" respect for the world, And respect for the natural expression of the mood, and create a link between man and nature is a spiritual shine, smells the same, the relationship between philosophy of Heaven. Myth, after entering the rational era is no longer a record of the history of the ancient fable, but continue to create new world of the imagination to break free of the shackles of reason and logic, people form a new binding mode through the development of the arts, In order to convey important things and messages and reminders on or thinking about life; at the same time bring a new world of disturbing insights. So why the myth is true because it forces us to mind the reform brought new hope. Go into the development of art from the artistic context of the origin of each era of artists in addition to the art of perseverance, Jie a more innovative mission. Shi Tao a saying: "When the ink with the times", it should go to the creation of modern ink, ink rehabilitation and reconstruction in accordance with the modern concept, ideas, values, philosophy, science, and other techniques. Author and spiritual elements of Chinese ink as the cornerstone of the integration of modern ink forms and techniques, the use of different materials media experiments, the development of alternative Cunfafusion creation, To symbolize the "plausible", the metaphor and other techniques, so that there are new forms on the surface of ink and creation, and thereby urgent discussion of modern ecological survival.

Keywords: myth, nature, modern ink