他者的凝視—吳惠淳水墨創作論述

Abstract

本文從現代社會中人類普遍的自我認同感破碎、對自我存在價值有所質疑著手，探討在此種技術化社會所產生的人際疏離、自我價值感模糊、自身定位不明……等，人如何反抗此情境之壓力，並試圖覺知，重新建構自我的面貌，並肯定自我存在的價值。 透過學理根據釐清主體與他者之關係，藉由他者的第三者之眼光重構自我概念。而「他者的凝視」中的「他者」意指自我意識中的掌控機制，可以設想、思考自己的思想之機制，因此「他者」也是經由個體想像而產生的客體，藉由自我意識的內部分裂而造成的多重角色、扮演，（想像）站在不同的角度觀看、重審以及覺醒自我。 而在創作思維轉向藝術的表現手法，是以單一「狗」的圖像作為主體，經由對「狗」圖像的凝視與映照，而產生與筆者自身的背景、記憶、懷舊、潛意識、心境……等之對照，而對照的方式是以「鏡像」為實踐的手法。 以「鏡像」作為實際創作的方法，透過「形象的塑造—映照」與「絹本的圖層、蕾絲的穿梭」，實踐本計劃之「主體與分身的具象化」、「以虛見實的空間特性」及「鏡像的想像」的目的。Though the broken self-identity of human being in modern society as well as the doubts about self-existance , the people under the state of alienation in society caused by technology to reconstruct the pressure of the situation and try to awareness, to reconstruct self-image, and to escertain the value of self-existence. Based on the related theories, the author intends to clarify the relationship between the subject and the Other,and to reconstruct the concept of the self through the eyes of the third party. The author uses the image of "dog" as the subject of it to explore her a gaze and imagination. As for the painting techniques, through the "shaping the image - sreflection" and "the layers of silk a lace,the author tries to achieve the aim of this research "the subject and cloned figurative", "the realization of spatial characteristics" and "the imagination of mirror image ".