畜獸圖像的遞嬗─黃鏞儒彩墨創作探討

Abstract

本文研究主題為「畜獸圖像的遞嬗」，主要藉由探討畜獸圖像從古至今在意義及表現的遞變。自古以來，無論是東西方，人類的生活型態與動物息息相關，彼此必須相互依存，在東方與西方的古代學者中皆有深刻的探討，可從他們的學說中窺探出人對自然應有的尊重與愛護，然而，這種價值觀在近代不斷地受到忽視，逐漸喪失共生共榮的立基點。所以，基於這樣理由，而產生此創作。筆者試著對過去歷代飛禽走獸畫的發展脈絡做一整理，並以具象寫實表現手法，融入中國傳統的筆墨精神，運用不同性質的處理手法，期待更能精確的掌握對象的精神特質，以此傳達個人的某些情感與價值觀。本研究採用歷史研究法，分析、比較、歸納、綜合「傳統」與「現代」水墨畫審美理論與表現型態的不同，藉著實驗過程，賦予畫面新的詮釋。 本研究主題重點涵蓋了中國歷代與近現代飛禽走獸的繪畫風格發展、傳統的象徵文化意涵、現代畜獸圖像的審美角度、個人創作理念的分析與實踐，此三個部分在研究架構上分為六章，茲簡述如下： 第一章：緒論—包含研究動機與目的、研究範圍與內容、研究與創作之關係的說明。 第二章：1.中國歷代飛禽走獸的繪畫風格發展，以文獻作品來探討飛禽走獸在歷史中的生成，如從萌芽到成熟、依附性質與獨立構成之間發展的過程、實用性的轉換，並列舉古代畫家的作品作印證。2.傳統飛禽走獸之象徵性與公式化，它具備人文生態的寄情，不同的飛禽走獸寓有不同的性格與美的想像，豐富卻也受限的象徵意義。 第三章：了解現代畜獸畫審美角度因何而生成的，而文化省思與批判又如何的催化審美基準的變革。另外，由於藝術表現投射當代社會的脈動，在生態意識高漲的時代氛圍裡，藝術家對此當代的諸多現象投射出什麼的情感及作為，而觀眾又是如何加以回應。 第四、五章：個人創作理念的分析及實踐結果的呈現，除闡述個人創作的理念及內涵、創作題材之選擇及畫面形式呈現外，並將每幅作品的表達意念、表現方式及創作時所使用的技法、媒材及圖像符號等做一詳盡說明。 第六章：結論部分，透過對飛禽走獸的源流和東方美學的關係、圖像及象徵性的深入所呈現交集，藉此釐清個人創作思路，以期在所屬的時代中呈現出不同以往詮釋的作品。This search is about the changes of the meaning and skills in" Animal Painting" from ancient time til l now. Weather East or West, human lives are closely connected to animals. They have to rely on each other. From both their scholars' theory, we can realize that people respect and treasure the mother nature. However, this value has been disregarded nowadays. That' s why I do this research. I try to put the development of Animals Painting through the ages in order, represent it realistically, blend with Chinese traditional spirits of pen and ink, and express personal feelings and values. This essay is based on " history research method" , analyzing, comparing, inducting and synthesizing the different theory and forms between traditional and modern " Water-ink Painting. " Through the process, I hope to give new interpretation to the paintings. This search focus on the development of Chinese animals painting style from long time ago till now, traditional culture symbols, and esthetic sense for modern animal pictures, and putting personal creative concepts into practice. This three parts are divided into six chapters, as follows. Chapter 1: Introduction including research motivation, purpose, contents, area, and relationship between research and creation. Chapter 2: 1.The painting styles of the past dynasties birds and beasts of China are developed, probe into the formulation in history of birds and beasts with the document works, if from sprout to the ripe , depend on course of development during nature and independent composition , conversion of practicability, and the works enumerating the ancient painter confirm . 2.The symbols of the traditional birds and beasts are and stereotyped, it possesses the feeling of sending with ecological humanity, different birds and beasts reside different personalities and beautiful imagination , enrich the also limited symbol meaning. Chapter 3: Understand modern domestic animal why beast draw aesthetic angle and produce , and culture think and how 's catalysis aesthetic basic change does it criticize. In addition, because the artistic expression throws the pulsation of the contemporary society, in ecological consciousness surging era atmosphere, artist contemporary a great deal of phenomenon throw what emotion and conduct does it produce with this, and how audience react ! Chapter 4 , 5: Individual creates the analysis of the idea and practises the appearing of the result, besides explaining that the idea and intension , choice of creating subject matter and picture form that individual creates appear, and explain the skill and technique , matchmaker material used and picture symbol ,etc. when the expression idea , displaying way and creating of each of works exhaustivly. Chapter 6: Conclusion part, appear mixedly through the source and course and relation , picture and symbolizing deepening of eastern aesthetics to the birds and beasts, distinguish individuals and create the thinking by this, expect not to demonstrate with the works that were annotated in the past in affiliated era.