離開水墨繪畫的水墨-八零後世代的文化翻譯

Abstract

摘要

本論文研究探究1980後之世代和「水墨繪畫」之間的關係，並在這樣的架構下，更聚焦在「水墨繪畫」離開平面性、繪畫性之後的可能。論文共分為四個部分，分述如下： 第一章為創作研究方法建構，主要針對「水墨繪畫」作一概括性的爬梳，並概述研究理論及定義研究範圍；第二章針對1980年代之前的「水墨繪畫」，以後殖民主義觀點爬梳之，另一方面，探究幾個過去西方當代藝術發展中的重要觀念，諸如後現代主義等；第三章則是著重於1980年代之後的「水墨繪畫」發展，在「後殖民主義下的主體建構」和「後現代主義下的文本解構」兩大架構下，提出筆者觀點暨創作方法論「離開水墨繪畫的水墨」，並舉例呼應其觀點；第四章則是爬梳個人2008至2016年之創作，並說明創作和理論「離開水墨繪畫的水墨」之間的關係。

Abstract

The thesis research the relationship between 1980s generation and ink painting,in the structure,more focus on the possibility that ink painting leave flatness and painting afterward.The thesis will be divided into four sections,the description is as follows： Chapter One,the “construction of artwork research”stage,focus on general description of ink painting mainly, describe the theory generally and define the research range;Chapter two focus on ink painting before 1980s,and research it on the view point of post-colonialism.in the other hand,research several important concepts in west contemporary art in the past,like as post-modernlism;Chapter three focus on ink painting after 1980s.Betweed the two struction,”subjectivity construction of post-colonialism” and “text deconstruction.I mention “Ink art after ink painting”, my view point and the theory of creative method,and give some examples to respond my view point;Chapter four research my creations from 2008 to 2016,and describe the relationship between my works and the theory, ”ink art after ink painting”.