貝多芬早期作品之分析與詮釋，以第一號與第五號鋼琴奏鳴曲為例

Abstract

貝多芬的作品無疑已成為西方古典音樂文學中的重要遺產。貝多芬將他的作品帶 到了最大的極致，他沒有放棄任何傳統程序，而是不斷地將最簡單和基本的元素融入 他的音樂創作中。此外，貝多芬的作曲風格深受他個人敘事和周圍環境的影響，這導 致他的音樂作品具有個性化和情境特定性。這些特質可以從他的早期作品中看到，如 《第一號鋼琴奏鳴曲，Op. 2 No. 1》與《第五號鋼琴奏鳴曲，Op. 10 No. 1》。本論文旨在透過對樂曲風格和結構的深入研究，提供對兩首鋼琴奏鳴曲的全面分 析和詮釋。第一章介紹貝多芬及其鋼琴奏鳴曲，詳細說明他的個人和職業生涯，以及 他 32 首鋼琴奏鳴曲的概述。第二章則聚焦於貝多芬早期的鋼琴奏鳴曲，討論當時的文 化和社會狀況、他早期鋼琴奏鳴曲的風格特徵，以及第一號與第五號鋼琴奏鳴曲的歷 史背景。最後一章從結構分析和詮釋的角度，提供了對兩首鋼琴奏鳴曲的分析。

The works of Ludwig van Beethoven have undoubtedly lived as significant heritage in the Western classical music literature. Beethoven brought his works to the greatest immensity where he did not abandon any traditional procedures, but he was constantly capable to embody the simplest and basic elements to write his music. Furthermore, Beethoven's compositional style was deeply influenced by his personal narrative and surroundings, resulting in a musical output that is poured with a sense of individuality and contextual specificity. These qualities are evident starting from his early works, such as Piano Sonata No. 1, Op. 2 No. 1 and Piano Sonata No. 5, Op. 10 No. 1.

The purpose of this thesis to provide a comprehensive analysis and interpretation of both sonatas by closely examining the musical style and structure. The first part introduces Beethoven and his piano sonatas, elaborating on his personal and professional life, as well as an overview of his 32 piano sonatas. The second part focuses on Beethoven's early piano sonatas with the discussion of cultural and social conditions at the time, the stylistic characteristics of his early piano sonatas, and historical background of Piano Sonatas No. 1 and No. 5. In the final part, both sonatas are analyzed through the perspective of structural analysis and interpretation.