巴爾托克《嬉遊曲》指揮詮釋

Abstract

二十世紀作曲家的作品，經常使用所屬國家的文化特色，作為音樂上創作的素材。身為其中的重要作曲家，巴爾托克以研究匈牙利地區民族音樂為志業，將民謠風格融入自身作品，成就獨特的個人特色。而其音樂素材的多樣性、追尋古典樂派的精神，與嚴謹的音樂結構，造就巴爾托克的作品成為音樂史上的經典。巴爾托克以古典樂派的曲種─嬉遊曲作為體裁，結合民謠音樂與巴爾托克的軸心音系統，呈現嬉遊曲精緻優雅的精神。 論文將以《嬉遊曲》為主體，先概述巴爾托克的個人生平，以及其音樂作品與特色進行探討。再聚焦於《嬉遊曲》的樂曲分析，探討指揮如何詮釋以及排練與音樂會的經驗，最後作為歸納性的結論。

Composers of twenty century frequently use cultural characteristics of their country, as the material of their compositions. Béla Bartók, as an important composer, study Hungarian national music through his life, and merge the folk style in his music to bring out his unique features. His diversity of musical material, pursuit of classical style, and rigorous musical structure led him to be classic in the music history. Bartók used the form of divertimento, combined with the folk music and his Axis System, showing the elegant spirit of divertimento. The thesis will focus on Divertimento. By means of explore on his personal life, music works and features, then analysis music structure and conducting interpretation, finally as an inductive conclusion.