柯齊爾《低音號小協奏曲》作品分析與詮譯
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2023
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出生於二十世紀早期的一位作曲家——簡・柯齊爾(Jan Koetsier, 1911- 2006),在現代音樂盛行的年代,其音樂作品卻選擇忠於傳統,在固有的古典音樂形式上做創新,作品中也常常加入當地民謠加以變化使用;音樂具有強烈的對比和戲劇張力、豐富的和聲色彩與旋律線條,因此被後世認為是二十世紀最重要的作曲家之一。本論文主要研究版本為《低音號小協奏曲》(Concertino for Tuba and Piano ),研共分為五個部分,第一章 緒論:分別為研究動機、目的、方法;第二章 創作背景:主要研究作曲家生平,及對其風格之介紹;第三章 樂曲分析:分章說明其樂章結構、創作手法與其特色;第四章 樂曲詮釋:透過上述內容了解很,再以筆者個人的詮譯建議;第五章則為本文結論。
In the age of modern music, a conductor born in the early 20th century, Jan Koetsier (1911-2006), musical works chose to be loyal to the tradition and innovate in the inherent classical music form. Local folk songs are often added to the works for variation; the music has strong contrast and dramatic tension, rich harmony colors, and melody lines. Therefore, he is considered by later generations to be one of the most important composers of the twentieth century.The main research version of this thesis is"Concertino for Tuba and Piano", and it is divided into five parts. The first chapter is the introduction: the research motivation, purpose and method; the second chapter is the creation background: the main research is composition The life of the artist, and an introduction to his style; the third chapter music analysis: explaining the structure of the movement, the creation technique and its characteristics in chapters; the fourth chapter music interpretation: through the above-mentioned content, I will give the author's personal interpretation suggestion; Chapter five is the conclusion of this paper.
In the age of modern music, a conductor born in the early 20th century, Jan Koetsier (1911-2006), musical works chose to be loyal to the tradition and innovate in the inherent classical music form. Local folk songs are often added to the works for variation; the music has strong contrast and dramatic tension, rich harmony colors, and melody lines. Therefore, he is considered by later generations to be one of the most important composers of the twentieth century.The main research version of this thesis is"Concertino for Tuba and Piano", and it is divided into five parts. The first chapter is the introduction: the research motivation, purpose and method; the second chapter is the creation background: the main research is composition The life of the artist, and an introduction to his style; the third chapter music analysis: explaining the structure of the movement, the creation technique and its characteristics in chapters; the fourth chapter music interpretation: through the above-mentioned content, I will give the author's personal interpretation suggestion; Chapter five is the conclusion of this paper.
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柯齊爾, 低音號, 小協奏曲, Jan Koetsier, Tuba, Concertino