浦朗克《小提琴與鋼琴奏鳴曲》之分析與詮釋

dc.contributor陳沁紅zh_TW
dc.contributorChen, Chinn-Horngen_US
dc.contributor.author吳佳蔆zh_TW
dc.contributor.authorWu, Chia-Lingen_US
dc.date.accessioned2019-09-06T00:53:17Z
dc.date.available2021-12-31
dc.date.available2019-09-06T00:53:17Z
dc.date.issued2016
dc.description.abstract二十世紀初的法國,主要以德布西為首的印象樂派主導整個音樂潮流,但是經歷了第一次世界大戰後,人們對音樂有了不一樣的訴求,對於印象音樂迷幻絢麗的色彩,以及繁複、過於精細的音樂語言感到乏味,因而追求另一種更冷靜,實在的音樂語言。於是便興起了一股反印象主義的風潮,其中以法國六人組最具代表,並在法國音樂中注入了一股新古典主義的潮流。 在新古典主義的影響下,浦朗克的創作並非一味地對古典崇拜,而是吸收了巴洛克、古典甚至更早以前的作曲技法,並對旋律與結構布局進行再創作,以呈現出精緻、風趣幽默的小型作品,其和聲明快,織體清晰,沿襲了古典音樂典雅精緻的美感。 浦朗克在創作此首小提琴與鋼琴奏鳴曲時正值二戰巔峰,當時他寫作了相當大量的作品,透過不斷的創作,除了是藉此維生以外,更是一種情緒的抒發,將戰爭帶來的緊張、不安與憂鬱寄託在音樂裡,音樂中所蘊含著強大的內在情緒張力,在此曲中也有著深刻地體現。 筆者之所以選擇浦朗克的小提琴與鋼琴奏鳴曲作為論文研究,除了演奏上此首作品為炙手可熱的曲目外,更期望自己在透過對此作品的深入研究後,能對浦朗克以及當時的整個時代背景,以至於音樂歷史上的影響做通透的了解,並期望在對歷史以及音樂的全盤深入探討後,能就演奏上的技法,以及詮釋上的要領,做一系列深入的闡述,進而提出自己對詮釋上的想法與演奏上的建議。zh_TW
dc.description.abstractDuring the early 20th century in France, the start of the music trend was mainly under the Impression of Debussy. However, throughout the experience of World War l, everyone began to have a different appeal towards music. Perhaps music can be insightful, colourful and the meticulous language of each notes are tedious; therefore may represent as relaxation and calmness. Then, soon, there was a craze that a group of 6 whom represented France started to improvise the new taste of classical music. Throughout this influence of new classical music, Poulenc's creations was not only under the adoration of classical's but mainly thoughts on Baroque. Classical music was created perhaps even earlier in the past, but since centuries are changing, the melody begin to have a twist to new creations. Notes are more clear, emotions coming out from the music are more crisp with grace and beauty. During the major peak of World War ll, Poulenc had created his creations of Piano and Violet duet. He had written a massive amount of art and continuously create his work non-stop. This is not just about living for him, but since the war had caused him depression and insecurity, it was also a way to vent his temper. As throughout the investigation of Poulenc's work, other than performing his pieces as top hits, the ability to understand Poulenc's personal background and history of music was a way to improve the technique in performance. The investigation had made myself learn a lot and build knowledge, yet some performance suggestions.en_US
dc.description.sponsorship音樂學系zh_TW
dc.identifierG060290035M
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060290035M%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108234
dc.language中文
dc.subject浦朗克zh_TW
dc.subject小提琴與鋼琴奏鳴曲zh_TW
dc.subjectPoulencen_US
dc.subjectviolin sonataen_US
dc.title浦朗克《小提琴與鋼琴奏鳴曲》之分析與詮釋zh_TW
dc.titleThe Analysis and Interpretation of Poulenc’s Sonata for Violin and Pianoen_US

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