流行音樂大型演唱會音樂製作探究——以蔡琴「好新琴」巡迴演唱會為例

Abstract

本篇詮釋報告旨在探討「好新琴」世界巡迴演唱會的策劃與執行過程，以及音樂總監職責和聲音系統設定工程，並以研究者親身參與蔡琴的「好新琴」巡迴演唱會的工作內容為範例，淺析流行音樂大型演唱會音樂製作。第一章簡介了研究的背景和動機，以及研究的範圍和方法。第二章介紹了「好新琴」世界演唱會的起源和前置流程，包括發想、編曲和製作等，詳細介紹演唱會執行工作裝置與整合。第三章闡述音樂總監的職責，包括音樂選曲、編曲和曲目設定等。第四章討論聲音系統設定工程，包括舞臺音控架設、外場音響工程和樂手器材設定等。第五章介紹「好新琴」世界巡迴演唱會，強調演唱會對於傳遞希望和重現音樂實踐的重要性。第六章總結論文的主要內容，對未來的研究方向提出了建議，包含從另個角度以理解臺灣演唱會產業的現況與未來發展方向。本論文對於研究音樂演唱會策劃和執行過程以及相關職責和技術等，有一定的參考價值，希冀能為流行音樂界留下紀錄。

This essay analyzes the planning and execution of the Tsai Chin Good Chin World Tour, the duties of the music director, and sound system setup, drawing on the author’s own experience working with the Tsai Chin Good Chin World Tour to analyze the production of a large-scale pop concert.Chapter 1 provides an overview of the background and motivation for the study, the scope of the study, and the methodology. Chapter 2 describes the genesis of the Tsai Chin World Tour and the pre-production process, including conceptualization, song arrangement and programming, going into the details of setup and integration of concert planning. Chapter 3 describes the responsibilities of the music director, including repertoire selection, arrangement and program setting. Chapter 4 discusses sound system setup, including stage sound control setup, front house sound engineering, and musician equipment setup. Chapter 5 introduces the Tsai Chin World Tour, emphasizing the role of concerts in conveying hope and achieving musical practice. Chapter 6 summarizes the main points of the paper and proposes directions for future research, including how to understand the present and future of Taiwan’s concert industry from a different perspective.The paper provides useful reference for the study of concert planning and execution, and the responsibilities and techniques involved, serving as an academic record for the popular music industry.