薩氏管重奏樂曲分析與編曲技法–以唐川爵士樂團音樂會為例

Abstract

Big band Swing(搖擺大樂團)流行於美國1930年代初到1950年代末，其編制通常會有10位以上的樂手做演出，除了基本的節奏樂器之外，還包含了許多木管、銅管樂器以及歌手。在這樣的編制中，樂團編曲者擔任重要的角色，好的管樂和聲，不只能為歌曲增添更多色彩，也能幫助到歌手對歌曲的詮釋，使音樂性更加豐富。 跟以往爵士大樂隊不同的是，這次的音樂會，將分別使用低音、中音、高音，不同音域的薩氏管再搭配上節奏組，以演奏的方式來做呈現。分析的風格包含Swing、Bossa Nova、Ballad等不同種類的樂風來探討管樂和聲編排的方式，也會運用調式的概念，進一步分析曲目架構。希望藉此能讓讀者對管樂編曲及和聲樂理有更深入的了解，並將其活用在各種樂曲風格之中。

Big band swing flourished through the beginning of 1930s to the end of 1950s, it usually consisted of ten or more musicians. Other than a rhythm section, there were also woodwind, brass section and singers. In this kind of ensemble, the arranger plays an important role. Good wind harmony can not only add more colors to the song, but also help the singer interpret better and improve the musicality of the song. Unlike the common big jazz band, this concert will be performedby different ranges of saxophone, which include bass, alto, and soprano saxophone, plus a rhythm section. This analysis will include different styles of Swing、Bossa Nova、Ballad、etc. and discuss its style arranging, and also explore the concept of the mode to further analyze the musical structure. The author hopes that this will allow readers to have a deeper understanding of the wind music arrangement and the harmony theory, and apply them in a variety of music styles.