布拉姆斯《G大調第一號小提琴奏鳴曲》，作品七十八之樂曲分析及演奏詮釋

Abstract

德國作曲家、鋼琴家及指揮家約翰尼斯．布拉姆斯( Johannes Brahms, 1833- 1897) ，在音樂生涯中生而浪漫，忠於古典，自小受盡各種命運上的牽制與危難，保守固執不善與人交際的冰冷的外表，在傳統的倫理道德中，被迫隱藏著是無處可發洩的情感與愛意，在音符與音符間，完整的展示他用自己的靈魂深刻的譜寫出最完美的告白。本文將要探討布拉姆斯《G大調第一號小提琴奏鳴曲》，作品78，第一章由浪漫樂派的大時代背景順流而下，了解此時期的特色後，接著討論布拉姆斯的生平背景及音樂風格變化；第二章藉由G大調第一號小提琴奏鳴曲的探討，銜接先前第一章時代背景下對布拉姆斯的作曲風格影響及樂曲分析；最後第三章將呈現筆者對於這首作品，在音樂、弓法及力度上的理解與詮釋。筆者期許藉由布拉姆斯《G大調第一號小提琴奏鳴曲》的研究，以作曲家的個人經歷及內心狀態為輔助，貼近理解他的音樂中的內涵，相信可以激盪出更多特別的分析能力及詮釋方法。Johannes Brahms (1833- 1897) was a German composer, pianist, and conductor of the Romanticism, He was loyal to the Classicism, but has suffered all kinds of fate and distress since childhood. He is conservative and stubborn, cold appearance that is not good at communicating with others. In ethics and morality, there is nowhere for him to vent emotion and love that have been forcing to hide. Between notes and notes, it is a complete show that Brahms used a soul himself to compose the perfect deep confession.This article includes three chapters that will discuss Brahms Violin Sonata No. 1 in G Major Op. 78. The first chapter follows his background of romanticism. After understanding the characteristics of this period, we will discuss Brahms's life background and music style changes. In the second chapter, through the discussion of the “Violin Sonata No. 1 in G major”, and the previous of the first chapter, the influence on Brahms’s composition style and the analysis of music under the background. The final chapter will present the author's understanding and interpretation of articulation, bowing, and dynamic after studying this work. By researching Brahms’s Violin Sonata No. 1 in G Major, and with the aid of the composer’s personal experience and inner state which help author to understand the connotation of his music closely. Author believe it can stimulate more and more special analytical ability and interpretation methods.