潘德瑞基《中提琴協奏曲》之作品研究及詮釋
| dc.contributor | 楊瑞瑟 | zh_TW |
| dc.contributor.author | 張佳馨 | zh_TW |
| dc.contributor.author | CHIA-HSIN CHANG | en_US |
| dc.date.accessioned | 2019-09-06T01:22:58Z | |
| dc.date.available | 2009-6-29 | |
| dc.date.available | 2019-09-06T01:22:58Z | |
| dc.date.issued | 2008 | |
| dc.description.abstract | 本論文以作曲家潘德瑞基生平為出發點,不僅詳述其作品特色與風格分期,進而探討二十世紀現代音樂以及波蘭音樂發展脈絡,其中,特別以其中提琴協奏曲為例,探討其音樂寫作風格特色以及音樂發展技巧,再從個人的觀點,加以解說詮釋重點;最後,將此作品與其衍生作品"為獨奏中提琴的裝飾奏"加以比較,以期讓讀者對此作品有更加全面性之認識。 | zh_TW |
| dc.description.sponsorship | 音樂學系 | zh_TW |
| dc.identifier | GN0695610301 | |
| dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0695610301%22.&%22.id.& | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108675 | |
| dc.language | 中文 | |
| dc.subject | 潘德瑞基 | zh_TW |
| dc.subject | 中提琴 | zh_TW |
| dc.subject | 協奏曲 | zh_TW |
| dc.subject | 現代樂派 | zh_TW |
| dc.subject | 波蘭 | zh_TW |
| dc.subject | Penderecki | en_US |
| dc.subject | viola | en_US |
| dc.subject | concerto | en_US |
| dc.subject | modernism | en_US |
| dc.subject | Poland | en_US |
| dc.title | 潘德瑞基《中提琴協奏曲》之作品研究及詮釋 | zh_TW |
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