若利維《為七位演奏者的狂想曲》之分析研究與自我音樂創作之運用

Abstract

若利維(André Jolivet, 1905-1974) 是二十世紀法國當代音樂的重要作曲家之一。因緣際會下，於幼年接觸異國文化、魔法神話與傳統儀式，激發他對古老魔法的強烈愛好，並期許讓音樂回歸原始。其作品分為三個時期，分別為：魔法時期、傳統時期與綜合時期；《為七位演奏者的狂想曲》為綜合時期之作品，其創作風格結合魔法時期與傳統時期之特色，寫作手法已達成熟。 本論文探討若利維之生平背景及音樂美學觀，並輔以若利維各時期之代表作品，探究其音樂寫作語法。透過樂曲分析，深入研究若利維《為七位演奏者的狂想曲》之配器運用、音高結構、曲式架構、節奏律動與音色配置，進而將研究成果體現於自身創作之中。André Jolivet(1905-1974) is one of the important composers of French contemporary music in the 20th century. He was exposed to foreign cultures, magic myths and traditional rituals in his childhood through serendipity, which inspiring his strong interest in ancient magic and hoping to return the music to its original. His work is divided into three periods: the magic period, the traditional period and the comprehensive period. Rhapsodie A Sept is composed in 1957, by comprehensive period, which style combines the characteristics of the magic period and the traditional period, and His writing skills have reached maturity. In the thesis, the researcher explores Jolivet’s life background and aesthetics view of music. And explores his musical vocabularies, supplemented by his another representative works from various periods. Through the analysis of the music, the researcher work on a detailed study of the use of orchestration, pitch structure, rhythm and tone configuration of Jolivet’s Rhapsodie A Sept. Finally, the researcher embody the research results in her own composition.