施雷克《雙簧管奏鳴曲》之樂曲分析及演奏詮釋

Abstract

古斯塔夫·施雷克 ( Gustav Schreck, 1849-1918 ) ，是一位19世紀浪漫樂派的德國作曲家，也是為音樂教師、合唱團指揮，以下簡稱施雷克。施雷克在德國萊比錫音樂學院（Leipzig Conservatory）是一位享有名譽的音樂理論教師，以及擔任萊比錫聖托馬斯（Thomaskantor）音樂總監，致力於合唱團工作也創作多首合唱曲目也包括清唱劇，他的創作風格時常展現如歌似的優美旋律並善用對位手法，清新自然的風格與當時眾人崇尚華格納的繁複濃烈有很大的對比。施雷克為木管樂器所寫的曲目僅僅只有兩首，即雙簧管奏鳴曲、低音管奏鳴曲，本篇報告將探討作曲家的背景、創作手法及此樂曲的樣貌分析、演奏詮釋，希望讓讀者能有所發想。本篇論文有五個章節，第一章為緒論，包含研究動機、研究方法以及研究目的。第二章為作曲家生平概述、創作風格。第三章為樂曲分析，討論樂曲的架構、創作手法、音樂語彙與風格。第四章為演奏詮釋，講述如何在演奏時更完整地呈現這一首作品。第五章結語。Gustav Schreck (1849-1918) was a German composer, music teacher and choir conductor of early romantic period during the 19th century.Gustav Schreck was a famous music theory teacher in Leipzig Conservatory, he was also a music director in Thomaskantor, who dedicated his life to compose many choral pieces for the choir, including oratorio. His composing style often shows graceful melody and counterpoints. His fresh and natural style made a great contrast with Wagner’s complex composing style.Gustav Schreck only wrote two pieces for woodwind instruments, oboe sonata and bassoon sonata. This thesis is going to discuss the background of the composer, his composing techniques, and analysis the interpretation of the piece, hopefully this thesis could help performers to understand this piece more.This thesis consists of five chapters. Chapter one introduces the research motives, methods and purpose. Chapter two discusses Schreck’s biography and his music style. The third chapter analysis the structure of the piece, the composing techniques, glossary and style. Chapter 4 is the interpretation of the piece, discusses how to perform the piece in a more artistic way. The last chapter is the conclusion.