解構主義表現手法應用在數位影像之創作研究

Abstract

數位影像對於傳統影像表現媒材的突破和挑戰，如同機械美學對古典美學的突破、解構主義對現代主義之反動一般，其發展領域及面貌實有著令人嚮往的無限憧憬，在既有的基礎上與新理念、新技術交織出新的表現風貌，擴展數位影像所能發揮的張力是本研究的主要目標。 在數位影像表現的形式與觀念十分多元的時代中，本創作研究試圖以一種普遍易接受的離散感，藉由畫面雜亂、零散不完整的解構主義構成手法，傳達在理性、傳統思維外的一種符合接近科幻意象的新形式及概念，藉以突破傳統創作理念追求形象完整、意義完整的迷思，同時藉由可創造出超乎想像的數位3D造形及解構表現手法，將數位影像的技術層面融入解構主義的範疇裡，使本創作研究的立論基礎更穩固，並以本研究創作表現結果及過程，提供數位影像創作者更寬廣的創作空間。

Like machine aesthetics to classic aesthetics, deconstruction to modernism, digital technology broke through even challenged the traditional expression of images. The development and representation of digital images are always dreams to imagine. The aim of this study is try to strengthen the impact which digital images can bring to the audience and hope to create new expression on the basis of activation of yesterday’s theories and personal ideas. Nowadays, the thoughts and forms of digital images are complicated. To jump out of the myth which worships the idea “Everything should be totally completed”, this study conveys imaginational forms and ideas in fragmental expression of deconstruction’s concepts. In the process, the extraordinary construct of 3D has brought the techniques of digital images into the realm of deconstruction. The process and the outcome of the study are expected to provide a new possibility for all of the image makers.