安德烈·若利維《小號小協奏曲》之樂曲分析與詮釋

Abstract

若利維小號小協奏曲是二十世紀重要的現代樂作品之一，學習小號的演奏者對於這首現代樂作品一定不陌生，此為若利維的第一部大型小號作品，在強烈的現代樂和聲音響中，仍堅持使用具有旋律感的譜曲法，並且將傳統的動機寫作方式，在此曲發揚光大，充滿現代感的樂曲卻不失傳統的精神。

本文分為五個章節，第一章為緒論，包含研究動機與研究方法。第二章介紹若利維的創作源起，包括作者生平及其音樂風格之特色。第三章針對協奏曲做詳盡樂曲分析。第四章為樂曲詮釋，以安德烈(Maurice André)、歐畢耶(Eric Aubier)、佛萊得里希(Reinhold Friedrich)三位知名小號演奏家的錄音版本互相比較，再融合個人練習及演奏的經驗，提出詮釋方面的見解。最後，以第五章做為本文結論。

Jolivet’s Trumpet Concertino is one of the important modern music in twentieth century. This piece is the famous music for Jolivet. He use the modern technic to compose this piece, but it until has traditional spirit in the music work.

The paper is divided into five chapters. The first chapter is an introduction, and it includes research motivation and research methods. The second chapter introduces the origin of Jolivet's creation, and including the characteristics of his life and his musical style. The third chapter is use to introduce detailed analysis of the music for the concerto. The fourth chapter is use to compares from three trumpet players’ recording (Andre, Aubier, and Friedrich), and explanation my opinion of practice and performance interpretation . The final chapter is conclusion.