羅伯特.柯卡第34號作品《木琴與管絃樂團之協奏曲》曲式分析及演奏詮釋
dc.contributor | 鍾耀光 | zh_TW |
dc.contributor | CHUNG,Yiu-Kwong | en_US |
dc.contributor.author | 陳皇妏 | zh_TW |
dc.contributor.author | CHEN,Huang-Wen | en_US |
dc.date.accessioned | 2019-09-06T00:58:22Z | |
dc.date.available | 不公開 | |
dc.date.available | 2019-09-06T00:58:22Z | |
dc.date.issued | 2009 | |
dc.description.abstract | 本詮釋報告為柯卡第34號作品《木琴與管絃樂團之協奏曲》各面向之探討,章節分為作曲家介紹、創作背景、各樂章樂曲分析及演奏詮釋。本曲蘊含許多半音、全音、三度音,融合新古典主義創作手法、藍調爵士創作手法,主題更透露出濃濃地民謠風味。此作品在木琴協奏曲中不算最著名,但仍是值得一探究竟之作品,希望能帶給往後演奏此作品之讀者有參考之價值。 | zh_TW |
dc.description.sponsorship | 音樂學系 | zh_TW |
dc.identifier | GN0095613112 | |
dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0095613112%22.&%22.id.& | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108390 | |
dc.language | 中文 | |
dc.subject | 木琴 | zh_TW |
dc.subject | 協奏曲 | zh_TW |
dc.subject | 羅伯特.柯卡 | zh_TW |
dc.subject | 維妲.陳歐芙 | zh_TW |
dc.subject | 藍調 | zh_TW |
dc.subject | 爵士 | zh_TW |
dc.subject | MARIMBA | en_US |
dc.subject | CONCERTO | en_US |
dc.subject | Robert Kurka | en_US |
dc.subject | Vida Chenoweth | en_US |
dc.subject | BLUE | en_US |
dc.subject | JAZZ | en_US |
dc.title | 羅伯特.柯卡第34號作品《木琴與管絃樂團之協奏曲》曲式分析及演奏詮釋 | zh_TW |
dc.title | The Analysis and Performance Interpretation of Concerto for Marimba and Orchestra op.34 by Robert Kurka | en_US |