舒曼《A小調鋼琴協奏曲》作品五十四之指揮詮釋
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Date
2022
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羅勃・舒曼 (Robert Schumann, 1810-1856) 為德國浪漫派重要的作曲家之一，其唯一完整三樂章的《A小調鋼琴協奏曲》不僅第一樂章原為單樂章的《A 小調鋼琴與管絃樂合奏幻想曲》，在相隔四年後，舒曼加上另外兩個樂章，使之成為完整三個樂章的鋼琴協奏曲。此曲以單一主題貫穿全曲，樂團與獨奏間時而抗衡，時而融合演奏主要旋律，完整承襲了古典樂派協奏曲的風範，及結合當時代炫技手法，因而成為浪漫時期鋼琴協奏曲的經典之作。本文將以舒曼創作《A小調鋼琴協奏曲》時的生活處境，探討其創作此曲所帶來的影響，透過深入分析動機與素材之使用，以指揮者的觀點分析指揮技術及排練上的經驗並探討其詮釋方法。
The first movement of Robert Schumann’s A minor piano concerto is originally the Fantasy in A minor for piano and orchestra. Four years later, Schumann added another two movements to make it a complete three - movements concerto.This thesis will research the composition background of A minor piano concerto, sharing the experience from the conductor perceptive in rehearsing and performing the work.
The first movement of Robert Schumann’s A minor piano concerto is originally the Fantasy in A minor for piano and orchestra. Four years later, Schumann added another two movements to make it a complete three - movements concerto.This thesis will research the composition background of A minor piano concerto, sharing the experience from the conductor perceptive in rehearsing and performing the work.
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舒曼, 鋼琴協奏曲, 指揮詮釋, Schumann, piano concerto, conducting interpretation