貝多芬《g小調第 二 號大提琴奏鳴曲》作品五之二研究與詮釋

Abstract

貝多芬Ludwig van Beethoven, 1770-1827 創作生涯中總共創造了五首大提琴奏鳴曲，這五首大提琴奏鳴曲更是將大提琴在古典時期的地位往上提升至新的層級。此論文所要分析的為《g小調第二號大提琴奏鳴曲，作品五之二 》Cello Sonata No.2 in g minor, Op.5 No.2 是貝多芬於 1796年完成，1797年出版的作品。本文內容共分為五個章節，第一個章節為緒論，包含了筆者的研究動機、方法與目的；第二章節為貝多芬生平與創作特色，包含貝多芬的生平與其一生各個創作時期所創作的重要作品及其特色；第三個章節為貝多芬五首大提琴奏鳴曲概論與重要性，內容將會論述古典時期以前大 提琴之發展歷史與改良及五首大提琴奏鳴曲創作經歷與其重要性； 第四個章節為樂曲分析 ，為筆者對於樂曲結構與作曲手法之探討；第五章為演奏技巧與詮釋，為筆者演奏此樂曲所呈現的演奏技巧與樂曲之語法、氛圍；第六章為結論。Ludwing van Beethoven composed five cello sonatas in total during his creative career, and furthermore, taking the status of cello in classical era to a higher plane.The intention of this thesis is to analysis Cello Sonata No.2 in g minor, Op.5 No.2 which is the work that Beethoven finished in 1976 and published in 1797.There are five chapters in the content, the first one is introduction, which includes writer’s research motivation, method and purpose; the second one is about Beethoven’s life and creative features, which is comprised of his life, significant works that he composed in every creative period and the features of them ; the third chapter includes the introduction and the importance of Beethoven’s five cello sonatas, which will talk about the history of cello’s development and improvement before the classical era, and the creative experience and importance of five cello sonatas; chapter four is musical analysis, covering writer’s discussion about the structure and the compositional techniques ; chapter five includes skills and interpretation of performance, showing the writer’s presentation for performing techniques, the articulation of the composition and atmosphere ; chapter six is conclusion.