八首貝利尼室內聲樂作品研究

Abstract

美聲作曲家貝利尼(Vincenzo Bellini, 1801-1835)，以寫出熱情而流暢的曲調為名，1831年的《諾瑪》(Norma) 及1835年的《清教徒》(I puritani)更是兩齣成功的歌劇，有許多大歌唱家以演唱貝利尼的經典歌劇做為職業挑戰的一部份。除了貝利尼的歌劇作品受到歡迎外，其室內聲樂作品(vocal chamber music)也同樣有亮眼的成績表現，更是涵括美聲唱法(Bel Canto)的精髓，實屬上乘之作。 本篇詮釋報告分別挑選了貝利尼八首室內聲樂作品，其作品形式豐富多元，有浪漫曲(Romanza)、敘事曲(Ballata)、小詠嘆調(Arietta)等；同時在第二章，分別介紹作曲家貝利尼的生平及室內聲樂作品的風格；第三章是作曲家貝利尼當時的時代背景，19世紀初期的浪漫樂派(The Romantic Era)的盛況，主要包含當時盛行的浪漫主義(Romanticism)及美聲歌劇(Bel Canto opera)時期的研究。 筆者冀望透過作曲家多樣貌的室內聲樂作品分析與詮釋，並經由縱向的貝利尼生平及橫向的時代背景研究所得，提供讀者對貝利尼的音樂風格有全面性的認識與了解。Bel Canto composer Bellini is famous for his passionate and graceful melody, with “Norma” and “I puritani “ being two of the most successful operas. Many of his operas had been chosen by great vocalists as a challenge in their professions. Besides the widespread popularity of his opera masterpieces, vocal chamber music had made him receive equally brilliant achievement and has been the core of Bel Canto. This report covered eight pieces of vocal chamber music from Bellini, with an abundant variety of elements including Romanza, Ballata, Arietta, etc. Chapter 2 is a biography of Bellini’s and an introduction of the style of his vocal chamber music. In Chapter 3, the background of the Bellini’s times in the Romantic Era was introduced, with main focuses on the researches of Romanticism and Bel Canto opera. The author aimed to give a comprehensive overview of Bellini’s multi-elemental vocal chamber music through the introduction of his life and the background of the times.