凱爾特風格跨界流行音樂詮釋與分析-以《風與樹的對話》創作專輯為例
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2021
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Abstract
跨界在現代流行音樂已是當代重要的創作手法，凱爾特風格跨界流行音樂亦在現今跨界音樂佔有一席之地。本研究以傳統凱爾特民謠及舞曲為根基，進行數位音樂專輯《風與樹的對話》創作，包含六首歌曲並舉辦音樂發表會，類型涵蓋配樂、中國風、電子舞曲三種風格；其中，兩首配樂的風格包含印度風多利亞民謠風格、戰爭史詩風格；兩首中國風樂曲包括 4/4 拍凱爾特民謠風格、華爾滋凱爾特民謠風格；兩首電子舞曲包括波卡浩室電音舞曲、利爾鼓打貝斯電音舞曲。本研究成果如下：
一、爬梳凱爾特音樂跨界文獻與脈絡、相關之創作與詮釋。
二、本研究之作品成果顯示凱爾特傳統音樂風格可以自由跨界到流行音
樂，以呈現不同且多樣貌的新跨界音樂風格，並指出凱爾特音樂素材是可以自由拆解運用、融合至流行音樂。
三、數位音樂編曲製作方式，使本研究作品在製作上更快、更有效率，並更富有想像力，藉由對凱爾特音樂和流行音樂的樂理理解，更多的實驗音樂融合可以本研究之方式進行，得到最佳凱爾特風格跨界流行音樂風格，尤其是愛爾蘭風笛具有極其特別的音色及裝飾音，對建立凱爾特風格有非常顯著的影響。
本研究為華語流行音樂進行完整的凱爾特風格跨界流行音樂文獻及製作流程詮釋之彙整，成果具有深度與廣度，有助於推廣凱爾特音樂，增加在台灣的凱爾特音樂樂迷人口，並提供能得到最佳凱爾特風格的數位編曲製作方案，此為本研究之貢獻。此外，本研究之音樂成果發表會，特別邀請到來自台灣愛爾蘭音樂推廣中心、專門研究凱爾特音樂的演奏家，吹奏錫口笛詮釋創作專輯、設計適合的裝飾音，並在製作中得到實際回饋而調整曲子，使歌曲更加生動，增加可聽性及真實演奏的味道。
Crossover is an important way and could be commonly found in modern popular music, and Celtic style crossover popular music also holds a place in crossover music. Based on the foundation of traditional Celtic folk songs and dance music, present research produced a popular music performance album composed of six songs by digital music, and invited a performer to perform the songs of present research. The six songs contain three types of crossover styles: Soundtrack, Chinese style, and Electronic Dance Music; two soundtrack style songs include Indian style Dorian Folk style and War Epic style; two Chinese style songs include 4/4 beat Celtic Folk style and Waltz Celtic Folk style; two Electronic Dance Music style songs include Polka House Electronic Dance Music and Reel Drum& Bass Electronic Dance Music. The results of this research are as follows: 1. Organizing the crossover literature and creation interpretation of Celtic music. 2. Indicating that traditional Celtic music style could be freely crossed into popular music to create various and diverse new crossover music styles, and Celtic music materials could be freely disassembled and integrated into popular music. 3. Digital music arrangement and production methods make the production of album of present research faster, more efficient and imaginative. By using the ways of music theory and instruments of Celtic music and popular music of present research, more experimental music integration can be carried out to generate the best Celtic style crossover popular music style. Especially the extremely special tone and decorative sound of Uilleann Pipes has a significant influence on creating the Celtic style. This research contributes to providing the Chinese Popular Music with a relatively complete interpretation of Celtic style crossover popular music literature and production process, promoting Celtic music in Taiwan and increasing the population of playing Celtic music, and providing best methods of digital music arrangement and production for Celtic music. Furthermore, for the music presentation, present research invited the artist from Taiwan Irish Music Centre, who specializes in Celtic music, to play the Tin Whistle to interpret the creation album, and designed the ornaments. The production of album of present research also has adjusted according to his advice, it helps the album of present research “The Dialogue between the Wind and the Trees” more vivid and increases the audibility and the taste of performance of present research.
Crossover is an important way and could be commonly found in modern popular music, and Celtic style crossover popular music also holds a place in crossover music. Based on the foundation of traditional Celtic folk songs and dance music, present research produced a popular music performance album composed of six songs by digital music, and invited a performer to perform the songs of present research. The six songs contain three types of crossover styles: Soundtrack, Chinese style, and Electronic Dance Music; two soundtrack style songs include Indian style Dorian Folk style and War Epic style; two Chinese style songs include 4/4 beat Celtic Folk style and Waltz Celtic Folk style; two Electronic Dance Music style songs include Polka House Electronic Dance Music and Reel Drum& Bass Electronic Dance Music. The results of this research are as follows: 1. Organizing the crossover literature and creation interpretation of Celtic music. 2. Indicating that traditional Celtic music style could be freely crossed into popular music to create various and diverse new crossover music styles, and Celtic music materials could be freely disassembled and integrated into popular music. 3. Digital music arrangement and production methods make the production of album of present research faster, more efficient and imaginative. By using the ways of music theory and instruments of Celtic music and popular music of present research, more experimental music integration can be carried out to generate the best Celtic style crossover popular music style. Especially the extremely special tone and decorative sound of Uilleann Pipes has a significant influence on creating the Celtic style. This research contributes to providing the Chinese Popular Music with a relatively complete interpretation of Celtic style crossover popular music literature and production process, promoting Celtic music in Taiwan and increasing the population of playing Celtic music, and providing best methods of digital music arrangement and production for Celtic music. Furthermore, for the music presentation, present research invited the artist from Taiwan Irish Music Centre, who specializes in Celtic music, to play the Tin Whistle to interpret the creation album, and designed the ornaments. The production of album of present research also has adjusted according to his advice, it helps the album of present research “The Dialogue between the Wind and the Trees” more vivid and increases the audibility and the taste of performance of present research.
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Keywords
凱爾特音樂, 數位音樂, 跨界音樂, 流行音樂, Celtic Music, Digital Music, Crossover Music, Popular Music