情牽洛韶──湯大凰工筆花鳥畫創作論述

Abstract

本研究內容係以地處花蓮縣秀林鄉富世村洛韶自家果園生態環境的花花草草、蟲鳥動物……等，以傳統工筆花鳥繪畫技法結合了西方的媒材作為作者創作作品的探討主題。傳統工筆花鳥繪畫中的用筆、用墨、構圖、設色、技巧之發展研究和內在人文精神的融合，使不偏重於工或文而提升藝術的原創性。加上西方繪畫使用之媒材對於客觀物象之主觀描繪。將時間、空間、古代、現代……等利用繪畫作品加以探討與解析。 由於筆者的先生在花蓮好山好水的太魯閣國家公園區的洛韶有二甲私有土地的果園，栽培有機無毒的蔬菜、果樹……等，種植果樹的種類有水蜜桃果樹（品種：白鳳桃、黃金水蜜桃）、李子樹（品種：紅肉李、西瓜李、玫瑰李、韓國李）、枇杷樹、甜柿果樹、雪梨、蜜梨、水梨果樹，特有品種的金針花及季節性的蔬菜……等。山上的農舍是開門見山，重重疊疊的太魯閣大山就立於眼前，隨著早晚溫差變化很大，季節不同的更替，花開、花謝、蟲鳴、鳥叫，山巒景象變幻莫測，果園附近的原始林裡還有山豬、山羌、山羊、彌猴、孔雀、雉雞等的野生動物常常會跑來果園搗亂覓食呢！大自然界的景象著實充滿瑰麗而神奇，無不姿妍百態各具情趣讓人嘆為觀止。 本文關於工筆花鳥畫所追求的特色、適意、自然、恬淡的人生境界，希望能走出傳統，面對自然，落筆亂真，賦予傳統內在的新生命。藝術的文化是歷史軌跡，從歷史軌跡中尋找自己的定位與反思，堅實地沿著自己藝術發展走向更為廣闊和精深的層面。並期望藉此論文的完成，讓筆者更努力不懈的致力於工筆花鳥畫的創新之路，以畫出在傳統與現代、藝術與生活、東方與西方；擺脫固有程式，以新的媒材、新的圖式、新色彩的繪畫語言，創造出具有時代感的藝術個性來，畫出對生活中的美好和企盼。

Based on the flora and fauna in my orchard in Luoshao, Fushi Village, Xiulin Township, Hualien County, I created my art work with traditional Chinese fine brushwork painting skills and media of western painting, and then examine the motif. Traditionally, fine brush painting incorporates development in strokes, ink, colors. Blended with humanism, its originality is enriched without emphasis either on technique or concept. In addition, I use media from western painting in subjective depiction of objective items. As a result, I would like to discuss and analyze time, space, antiquity, and modernity with my painting. As my husband owns a two hectare orchard and organic vegetable and fruit farm in Luoshao in Taroko National Park, Hualien, producing peaches, plums, loquats, persimmons, snow pears, and seasonal vegetables. Our farmhouse faces Taroko mountain, with range upon range of mountains before our eyes, and the scenery varying with different time of day and season. Blooming and withering of flowers, as well as chirping of birds and sounds of insects add more to the variety. Our orchard is often frequented by boars, Reeves’s muntjacs, goats, monkeys, peacocks, pheasants from neighboring primitive forest. Full of wonder, nature shows its breath-taking magnificence. Among all living creatures, I am especially fond of flowers and plants. They are serene and peaceful in appearance, gracefully standing still all day. Their tranquility calm my anxiety. Furthermore, flowers show their vigor in serenity. The seemingly calmness is blended with tension; petals, leaves, and branches are full of vitality, slowly burgeoning and growing. All these impresse me deeply on my mindset of art creation. This thesis probes into the characteristics, easiness, nature, loftiness of life in fine brushwork painting, with the hope of going beyond tradition and endow it with a new life through vivid depiction of nature. The culture of art is a trajectory of history. I hope to find my place and reflect upon myself in this trajectory, so as to stride toward a broader and deeper realm of art. The completion of this thesis makes it possible for me to walk on a new path in fine brushwork flower-and- bird painting with diligence, so that I can create art with zeitgeist and unique characteristics, as well as draw my aspiration between tradition and modernity, between artistic and mundane life, between oriental and occidental culture by breaking the boundary of existing formula, media, pattern, and color.