結合五感與原生物元素之手繪插畫設計之創作研究

Abstract

本創作研究主要是探討五感與自然界的關係並以手繪創作表現形式來傳遞，設計插畫物件來應用。「五感」就是視覺、聽覺、嗅覺、味覺、觸覺，而人類主要是藉由這些感官來與外界接觸，透過與大自然最原始的悸動，結合人類的七情六慾，產生不同議題的創見與想法，進而內化發展出個人的美感經驗與鑑賞能力。因為生活與創作是密不可分的，從不同的生活體驗中尋求最真實的感受，進而轉化成視覺語言，所以透過創作與實驗才能有深刻的領悟累積。針對五感、原生物與手繪插畫圖像之不同見解的文獻，分析其脈絡進行歸類來尋求定位並創作詮釋。創作以手繪插畫物件為主，以五感主題為核心原生動物為概念的整合，運用手繪線條建構出系列性的圖像創作，並結合電腦的輔助設計應用於視覺設計。主要創作目的為分析五感傳達的視覺語彙及相關理論。探討原生物之研究視覺表現形式內涵。透過手繪及電腦影像照片結合並搭配複合媒材印證相關理論。藉由本創作研究，將五感的訴求發揮並創作獨特風格作品。本研究歸納出五感與原生物之手繪圖像設計創作結論：一.創作所帶來的震撼性與因結合所帶動的細膩情感面以及深具討論性的生活議題；二.手繪的情感氛圍高，掌握手繪的特性所繪製出的筆觸及輪廓造型深具美感，透過累積吸收的觀念及知識都能有不同層次的昇華，在實驗當中都有許多令人驚艷的深刻印象，而這些重要的關鍵都能使創作有著躍動的生命力。三.創作作品中保有質樸且真切的將情緒置入，能讓畫面有著真實性的感受。並將個人累積的美感經驗運用不同媒材或紙張及任何媒介來使畫面傳達更具說服力。

The purpose of this study was to explore the relationship between the five senses and the natural world and design objects of hand-drawn illustrations to interpret such relationship. The five senses refer to sight, hearing, smell, taste, and touch. Human beings rely on these senses to interact with the outside world. The interactions between individual emotions and the vibrant beauty of the nature may produce diverse ideas which can further develop into individual aesthetic experiences and ability of appreciation. Life and creations are closely related. A visual language consists of individual feelings, which stem from various life experiences of the individual. Creations and experimentation facilitate accumulation of insights. In this study, the author first reviewed literature associated with the five senses, native animals, and hand-drawn illustrations to find the position and meanings of this research. Based on the theme of the five senses and the concept of native animals, the author created a series of images using hand-drawn lines and applied them to visual designs with the aid of computers. The author’s purpose was to analyze the visual words of the five senses and investigate the content of visual expressions. Besides, the author also integrated hand-drawn illustrations and digital images along with mixed media to examine related theories. Through this study, the author expected to show the appeals of the five senses and create works with a unique style. The conclusions of this research were as follows: (1) The impressiveness of creations, delicate affections and life-related topics brought about by integrating the theme into the creations were the fundamentals of this research; (2) Hand-drawn illustrations were characterized by a high emotional atmosphere. The brush strokes and contours made with the characteristics of hand-drawing were aesthetically pleasant and could sublimate on different levels with acquisition of new concepts and knowledge. The author was deeply impressed by the results of this process through experimentation. All these critical elements further increased the vitality of the creations; (3) The creations retained their simplicity and were embedded with emotions, therefore delivering a realistic feel. As personal aesthetic experiences were introduced and various media employed, the images could be more descriptive.