貝多芬《狄亞貝里鋼琴變奏曲作品120》之詮釋報告

Abstract

貝多芬的鋼琴曲目中，一般較著重於奏鳴曲，而疏於變奏曲，特別是這次所要研究的貝多芬《狄亞貝里變奏曲》更是久聞其名，難以接觸。它含有豐富的技巧、不僅融入了巴洛克及古典時期的思想，更為浪漫樂派作鋪陳。為變奏曲中的經典之作。 本文一共有五個章節：第一章說明本文的研究動機與目的及研究方法；第二章將針對一八二三年以前變奏曲作簡略概述，藉由貝多芬此時期作品，探討其變奏曲作曲手法；第三章針對《狄亞貝里變奏曲》的創作背景、創作經過及貝多芬同時期作品作探究；第四章將深入研究《狄亞貝里變奏曲》之樂曲分析及演奏詮釋；第五章為此論文作結論。

In the repertories of Beethoven, his sonatas have earned a lot of attention than his variations, particularly his masterpiece Diabelli Variations, which is, the theme of this research, well known but hard to touch. Diabelli Variations involve a wealth of skills, and it not only infuses the thoughts of Baroque and Classical Age but also elaborate on Romanticism Music. Diabelli Variations is definitely a classic work in Variations. This article includes five chapters: the first chapter explains the article’s research motivation, purpose and method; Chapter Two briefly overviews on the Variations composed before the year of 1823, by using Beethoven’s works that produced in this period to discover the compositional techniques of his variations; Chapter Three explores the creative background and process of Diabelli Variations and the same period of works of Beethoven; Chapter Four will intensively study the Analysis of Composition and playing interpretation of Diabelli Variations; the last chapter, Chapter Five, is a conclusion for this paper.