達流士・米堯《雙簧管協奏曲》之樂曲分析與演奏詮釋

Abstract

達流士・米堯（Darius Milhaud, 1892-1974）是二十世紀重要的法國音樂家與教育家，同時也是法國六人組（Les Six）的其中一員，是六人組中作品產量最大的，主張音樂應該要客觀、不過度渲染，成為當時法國音樂的新氣象，因其本身猶太人的身份及政治因素，晚年到美國發展，並為他的創作開啟世界觀。創作的範疇除了器樂曲、交響樂曲、甚至有芭蕾舞音樂及電影配樂，他創作的速度快，一生創作高達四百多部作品，甚至在晚年飽受病痛折磨之時，仍繼續創作。他替各種樂器寫了不同類型的作品，而為雙簧管獨奏所寫的作品則有，《雙簧管小奏鳴曲》（Sonatine pour Hautbois et Piano, Op.337, 1954）以及《雙簧管協奏曲》（Oboe Concerto, 1957）。本論文所要探討的《雙簧管協奏曲》，為米堯創作生涯晚期的作品，從了解生平與創作風格切入，以樂曲分析的方式理解創作的手法與曲式，進而以筆者在演奏上所面對到的問題與詮釋方法來探討此曲。Darius Milhaud (1892-1974) was an important French musician and educator in the 20th century. He was also a member of Les Six, he had the most of works in the group. He advocated that music should be objective and not over-exaggerated, which became the new atmosphere of French music at that time. Because of his Jewish identity and political factors, he went to the United States in his later years to develop his career and broad his style.His work types are various, in addition to composing instrument pieces, symphony, he even ballet music and film soundtracks. He was a composer who compose quickly and numerous, created more than 400 works in his life. Even though when he was suffering from illness, he still kept creating music in his later years. He wrote different types of works for many instruments, and his works for solo oboe include Sonatine pour Hautbois et Piano, Op.337 (1954) and Oboe Concerto (1957).This report discussed about Darius Milhaud’s Oboe Concerto. This piece was composed in his late period. By understanding his life to know his music style. With analyzing the structure and harmony to know the music texture and the creation. Besides, based on the author’s performance experience to address the interpretation methods and the challenges that author faced.