臺灣戒嚴時期（1949-1987）好萊塢電影的審查與翻譯

Abstract

臺灣戰後百業蕭條，但電影產業依舊蓬勃發展，好萊塢電影更是成為電影主流，加速美國文化在臺灣的傳播。然而，在戒嚴時期，政府實施嚴苛的電影檢查制度，電影一律須經過層層審查，凡內容觸犯檢查標準者，皆須修改、刪減或禁演。好萊塢電影也不例外，為了避免遭到禁演而血本無歸，好萊塢電影發行商經常須應政府要求，竄改電影情節，甚至對字幕翻譯進行改寫。本文旨在研究臺灣戒嚴時期受到審查的好萊塢電影，透過分析相關歷史文獻，釐清字幕翻譯改寫現象的歷史脈絡和影響，並探討官方審查制度對影視翻譯文本的操縱情形。

In the aftermath of World War II, Taiwan experienced economic stagnation across various industries, but the film sector continued to flourish, particularly with the dominance of Hollywood productions, which served as a conduit for the dissemination of American cultural influence throughout Taiwan. However, the era of martial law saw the imposition of a stringent film censorship system by the government. Under this system, films were subject to meticulous scrutiny, and any content deemed to violate censorship regulations was subject to modification, deletion, or outright prohibition. Hollywood films were no exception; in order to circumvent potential bans and financial losses, distributors often acquiesced to government demands, resulting in alterations to film narratives and subtitles. This thesis aims to investigate Hollywood films subjected to censorship during Taiwan's martial-law period. Through an analysis of relevant historical documents, it seeks to elucidate the historical context and ramifications of manipulation in subtitling, while also exploring the extent to which official censorship practices manipulated the translation of audiovisual texts.